The first steps of our new project, entitled LEAP: Legacy in Progress are coming soon

 

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🇬🇧🌍 LEAP: Legacy in Progress, a project that explores the global impact of colonialism today
👉 Join us for the online launch worshops of LEAP
📅 Tuesday April 29 2025
🕒 10am-4pm (Paris time)

Participate in our enriching workshops on essential themes, such as the contributions of Afro-descendants, deconstruct the mechanism of racism, and highlight voices of racialized women.

👉 Sign up now : https://us06web.zoom.us/meeting/register/GLdfp2NMSKiKyUKNv_fq_w?fbclid=IwY2xjawJ8TZJleHRuA2FlbQIxMABicmlkETBQSDhnNTg4d0U5WjRnVlhYAR405qbedxUPtbK8QCAnHPAqKiWYjWy1Ilyc4Rb2drJ28Pm1vvIjSMkqJp-4MA_aem_BjWjCAQkZhBEXbEN7ubVVA#/registration

🇫🇷 🌍 LEAP : Legacy in Progress un projet qui explore l’impact global du colonialisme aujourd’hui
👉 Participez aux ateliers pour le lancement en ligne
📅 Mardi 29 avril 2025
🕒 10h-16h (heure de Paris)
Participez à nos ateliers sur des thèmes essentiels, tels que les contributions à l’histoire européenne des Africains et Afro-descendants, la déconstruction des mécanismes du racisme, et les luttes Afroféministes.

👉 Inscrivez-vous dès maintenant :https://us06web.zoom.us/meeting/register/GLdfp2NMSKiKyUKNv_fq_w?fbclid=IwY2xjawJ8TeRleHRuA2FlbQIxMABicmlkETBQSDhnNTg4d0U5WjRnVlhYAR7BqMBfejaqpMLOFDjU8pETdQd8ItSaLIVJHsi_hdpoSEwz8fftAGCAFaHy7g_aem_MT_brFxSe2BwcsfNViePFg#/registration

More about the project: https://proprogressione.com/en/project/leap/

Make Waves with TIDAL ArtS: An Open Call for Artists to Restore Our Waters

Who is the TIDAL ArtS Call Looking For?

TIDAL ArtS is seeking artists, collectives (of up to five people), and creatives working in any artistic medium—from visual and digital arts to performance, literature, design, architecture, and more.

The call is open to those legally resident in one of the eligible countries within the four “Lighthouse” regions:
• Atlantic-Arctic
• Mediterranean
• Baltic-North Sea
• Danube-Black Sea

Applicants must be able to communicate in English and demonstrate an ability to deliver engaging, participatory art projects.

TIDAL ArtS particularly welcomes those with environmentally sustainable practices. Projects must align with the EU’s sustainability goals, including using recyclable materials and adhering to the “do no significant harm” principle under the EU Taxonomy Regulation.

The initiative is committed to inclusivity and actively encourages applications from women, ethnic and sexual minorities, and differently abled artists.

What Does the Call Offer?

Each selected artist or collective will receive a grant of €15,000 to design and deliver an art project rooted in citizen engagement and environmental awareness. But TIDAL ArtS offers far more than just funding.
Awardees will benefit from:
• Workshops: A series of online sessions with scientists, educators, and fellow creatives to deepen your understanding of marine and freshwater issues.
• Mentorship and Support: A dedicated liaison to guide you throughout your project.
• Networking: Opportunities to connect with other artists, researchers, and communities across Europe.
• Visibility: Promotion via EU channels, publications, events, and social media.
• Final Celebration: An invitation to showcase your work in a final event and a digital art catalogue in 2027.

This is your chance to co-create with communities, make a real environmental impact, and elevate your artistic profile on a European stage.

What’s Expected from Participants?

Awardees are expected to deliver a public-facing, participatory art project by June 2026, engaging with their chosen community and one of the Mission’s four Lighthouses. This includes:

  • Monthly check-ins with the TIDAL ArtS team to discuss progress.
  • Active participation in the autumn 2025 online workshop series.
  • Regular documentation of your artistic journey on social media, in collaboration with TIDAL ArtS’ communications team.
  • Final reporting and continued promotion of your work after the project ends.
  • Sustainability and legacy, with the expectation that artworks can be repurposed or displayed in multiple locations.

The initiative encourages artists to think beyond the canvas and into community co-creating with citizens, celebrating their local waters, and building long-term connections through art.

How Do You Apply?

Applications must be submitted via the TIDAL ArtS website by 23:59 CEST on 14 June 2025. To apply, you’ll need to prepare and submit the following three documents as PDFs:
1. Project Proposal: Use the official template provided on the website. Detail your artistic concept, how it meets the Mission’s goals, and how the €15,000 grant will be used.
2. CV/Resume: One page for individual applicants, or two pages for collectives.
3. Artistic Portfolio: Up to five pages showcasing past work relevant to the themes of the Lighthouse Calls.

Once you begin the application form, you must complete and submit it in one go so make sure all three documents are ready before you start.

Whether you’re a solo artist, a creative duo, or a multidisciplinary team, if your work blends artistic expression with environmental and social purpose, the TIDAL-ArtS-Lighthouse-Calls are your chance to shine.

Read all about the OPEN CALL here: TIDAL-ArtS-Lighthouse-Calls

We held our Lighthouse Calls Online Information Session on 19th of May at 18h00 CET.

If you missed the event:
-> here is the presentation of the open house with the most important details: TIDAL ArtS Open House
-> and here you can find the recording of the event

Learn more and apply at the project’s website.

TIDAL ArtS project is funded by the European Union under Horizon Europe research and innovation programme.

Lakescape Open Call for Artisans and Designers – Crafting sustainable futures by the lake

We invite designers and artisans working in a variety of disciplines and materials (traditional craftsmanship but also innovative sustainable industrial design) – to submit Design proposals that are envisioned with a friendly and fair connection between human and lake ecosystems.

With the LAKESCAPE Open Call, we are opening an opportunity to experiment, research, and prototype sustainable designs that enhance possibilities for the creative community and raise awareness of sustainability in lakeside environments.

🔗 The full open call text is available at the link below.

LAKESCAPE Offers:

Selected designers will:

  • Develop their design line, connected/ related/ inspired or using of lake-life renewable resources,
  • Be placed on a short residency in one of the 3 lake towns: Lidköping, Struga and Barnag , designed to exchange peer to peer knowledge with creative communities as well as to extend their knowledge about lake ecosystem characteristics of the 3 great lakes.
  • Attend Lakescape floating market on the waters of Vänern, the largest lake in the EU — to present and sell your market-ready work in Lidköping, Sweden, on August 15–16, 2025.
  • Be able to sell their work on Lakescape e-shop
  • Be represented on the project catalogue disseminated to potential future customers and creative and cultural audience across Europe

What Does the Call Offer?

  • Approx. 2500 EUR (in total with tax expenses)
  • Approx. 750 EUR for production and material costs
  • Travel, accommodation, and subsidies covered by the project
  • Access to local knowledge, workshops and acquaintance with locals
  • Connection with an international network of craftspeople and cultural managers
  • Participation in the floating-market showcase in Lidköping
  • Dissemination and promotion of artisans work through project social channels, videos and events.

Who Can Apply?

We welcome applications from designers, artisans and craftspeople who:

  • Are legally residing in a country participating in the Creative Europe Programme (including: EU member states; Non-EU associated countries: Iceland, Norway, Liechtenstein, Albania, Bosnia and Herzegovina, North Macedonia, Montenegro, Serbia, Georgia, Ukraine, Armenia, and Tunisia. See the Full List Here.)
  • Work in manual, material-based disciplines, traditional or contemporary
  • Are interested in ecology, sustainability, lakeshore cultures, and place-specific narratives
  • Are open to collaborative processes and community engagement
  • Are committed to finishing ready made product line to be represented in the frame of the project on the floating market and online
  • Are available for a 5-7 day residency in June or July 2025, and for traveling to the Floating Market in August.

Selection Criteria

  • Artistic quality and originality of past work
  • Alignment with LAKESCAPE’s themes: sustainability, circular practices, local heritage
  • Clarity and feasibility of the proposed idea or research focus
  • Motivation to engage with new cultural contexts and non-urban environments
  • Willingness to share processes and work-in-progress with others

Selected designers will sign authorship agreements that will be implemented during the duration of the project – until April 2026.

The selection is subject to geographical restrictions due to funding agreements, and the final cohort will reflect a distribution of artisans/designers based in the following regions:

Vänern (Sweden) – 3 designers
Ohrid (North Macedonia) – 3 designers
Balaton (Hungary) – 3 designers
Other lakes in Creative Europe countries – 3 designers

Under the agreement selected artists will provide professional photography of their market ready designs for the catalogue and e-store, collaborating in filming personalised video shorts, and will agree to be represented through our communication and dissemination canals.

How Do You Apply?

Fill in application form by May 12, 2025 and please submit upload the following:

  • A motivation letter (max. 1 page) explaining your interest in LAKESCAPE
  • Portfolio of 3–5 works (with brief captions)
  • A concept or idea you would like to explore during the residency (max. 1 page text explication and 1 page sketch/ collage/ storyboard representing vision of the design line)
  • One page explaining resources and development costs (budget frame) and timeline frame of development process
  • CV or short bio

⚠️We held our ONLINE OPEN HOUSE LECTURE on 5th of May at 18h00 CET.

If you missed the event:
-> here is the presentation of the open house with the most important details: LAKESCAPE_Open_House_Lecture_May5
-> and here you can find the recording of the event

Timeline
  • Open call launches: April 14, 2025
  • Online Open House Lecture: May 5, 2025
  • Deadline to apply: May 12, 2025
  • Selected participants notified: May 19, 2025
  • Residencies: June – July 2025
  • Floating Market final event: August 15-16, 2025, Lidköping, Sweden
  • E-store opening: September 2025
  • Catalogue launch: October – November 2025
  • Video shorts launch: December  2025

Lakescape is co-funded by the Creative Europe programme of the European Union.

“Do you see this rose bush? When it begins to wilt, know that I’m in trouble “* premiere

Performance times: April 12-13, 2025
Meeting point: Children’s Railway, Budapest – Hűvösvölgy Station

The language of the presentation: Hungarian

🔸 12 April (Saturday)
Morning performance:
Start: 10:00 | Expected end: 11:30
Afternoon performance:
Start: 15:50 | Estimated end: 17:20

🔸 13 April (Sunday)
Morning performance:
Start: 10:00 | Expected end: 11:30
Afternoon performance:
Start: 15:50 | Expected end: 17:20

🌳 What stories does nature tell us?🌳

Our community theatre walk blends storytelling with science, integrating evolutionary biology, narrative traditions, dance and drama pedagogy, ecosomatics toolkit, circus arts, and theatrical techniques. At its core is knowledge—knowledge of ourselves and our environment, which we must explore and allow to reach us.

On this journey, we experience, learn, and connect with our past together, becoming part of a story that unfolds before us as a theatrical performance. Experienced guides will listen to individual needs, ensuring that everyone finds their own way to engage in the experience.
Evolution is an ongoing process of change, still happening today. It is a transformation that connects past and present, while all living and non-living things remain in constant interaction. Within this process, spanning millions of years, our stories are born—stories that help us recognize and experience our interconnectedness.

Our performance offers a glimpse into this vast evolutionary past, bringing it to life so that we can write it together. Artists from various disciplines have shaped this unique encounter through a year and a half of preparation.

Join us and become part of this one-of-a-kind community experience!

Creators and performers: Dorottya Biró, Pál Nyáry, Dorottya Podmaniczky, Napsugár Trömböczky, Lajos Rózsa
Scientific expert: Lajos Rózsa (Centre for Ecological Research)
Dramaturg: Panka Paskuj

Director: Viktor Szivák-Tóth

Duration: 90 minutes (without intermission)

Maximum number of participants: 40.

Special thanks to: Zselyke Molnos (Hungarian Ecopsychology Institute), Sára Ince (Jane Goodall Institute – Hungary), Hegyvidék Municipality

Please ASK! is co-funded by the Creative Europe Programme of the European Union.
It was implemented with the support of the National Cultural Fund.

*(Excerpt from Elek Benedek’s The Golden-Toothed Princes. The story is inspired by Elek Benedek’s collection and presented in a live storytelling format, freely adapted.)

Come and try Climate Changer, the theatrical board game built around sustainability challenges!

Climate Changer is a theatrical board game, guiding participants through 25 squares filled with urgent questions about the climate crisis and sustainability. Each station reveals a different scene or activity, inviting us to debate everyday sustainability dilemmas, encounter true stories, and meet iconic figures of green activism.

🍀 Event date: April 3, 2025, 19:00
🍀 Event location: Bolygó https://www.facebook.com/bolygo.hu

Maximum number of participants: 40 people. Participation in the event requires registration, which you can complete at the following link:https://bolygo.org/…/climate-changer-szinhazi…/…

Event: Climate Changer színházi társasjáték a fenntarthatóságról | Facebook

The language of the production is Hungarian.
For more insights, subscribe to the Green E.Th.I.Cs newsletter!
https://greenethics.eu/contact
About the project: https://proprogressione.com/en/project/green-e-th-i-cs/
🌱 The Green Ethics project is co-funded by the Creative Europe program of the European Union.

Project partners: Cultiv – Associação de Ideias para a Cultura e Cidadania I UniversitàdegliStudidiTorino I Social Community Theatre Centrel ZID Theater I Teatr Brama I Compagnia Il MelarancioI Fórum a Népművészetért // Forum for Folk Arts FundI Narodna Biblioteka Laktasi”Njegoš”, Knjaževac I ASTA – Teatro e Outras Artes I omma studio theaterI Πολυτεχνείο Κρήτης / Technical University of Crete I Universidade de Aveiro I Polodel’900 I Mulino ad ArteI Foundation for Entrepreneurship, Culture and Education

Green Academy Seminar Series – Episode 5

🌱Anke begins by asking a different kind of question: What is our relationship to other earthly beings? How are we connected to the earth, how do we embody it? As the course progresses, Anke encourages students to engage with philosophical readings as well as experiment with various artistic methods such as research drawings, collage, poetry, or performance while collaborating with several artists. She teaches students to focus on relationships, between themselves and earth others as well as among co-learners in the group. In this relational key, students practise ways to perceive, consume and value food as that which interconnects body and earth.

🌱Anke will talk us through a range of artistic works created by students in her recent course and, drawing on participants’ research diaries, share experiences and insights that occurred in the process. We will discuss Anke’s arts-based teaching concept and what we can learn from its potentials and issues – for training better food and farming managers as well for helping many more of us approach sustainable development as a creative challenge.

🌱Anke Strauß is an academic researcher and teacher working at the intersection of organisation, art, and ecologies. She is particularly curious about alternative ways of organising, aesthetics and affect as organising forces, and their potential for the transformation to sustainability. Anke holds a PhD in critical management and organisation studies and serves as the head of the executive master’s programme on Strategic Sustainability Management at Eberswalde University for Sustainable Development (HNEE), Germany, enabling participants to lead the transformation in their organisations. She was a Senior Fellow at the Institute for Advanced Sustainability Studies (now RIFS, Potsdam) and led the interdisciplinary art-research project “Working Utopias”, which used utopian thinking to develop sustainable ways of organising work lives:

🌱www.working-utopias.com
🌱The episodes of the Green Academy are hosted by ecologist, philosopher, and writer Philipp P. Thapa.
🌱Organised in collaboration with the Sustainable Europe Research Institute Germany (SERI.de).

**********

🌱About Green Academy🌱
Pro Progressione’s Green Pillar emphasizes the integration of artistic practices with the more-than-human environment. We lead and collaborate on various projects, focusing on sustainability and connecting artists with critical environmental issues.
Although these events are directly linked to projects such as The Big Green, we aim to provide an open platform for the cultural and creative sectors, inviting our partners to join the Academy. Following our 2024 pilot phase, we plan to organize five more lectures next year. These events are open to registered participants and offer not only learning experiences but also the opportunity to form a community of professionals dedicated to environmentally conscious art.

🌱If you would like to attend, you can register here: https://forms.gle/tN6xoKWMGdMTbK6f9
(After registration, we’ll send you the Zoom link some days before the event)

You can read more about the Green Academy here: http://www.proprogressione.com/en/projects/green-academy

The Big Green project behind Green Academy is co-funded by the Creative Europe programme of the European Union.

En Fundedbytheeu Rgb Pos

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

Meet the CUC Ambassadors Shaping the Future

Ambassadors act as bridges between the project and their communities, ensuring meaningful participation and fostering long-term impact. Their role is both participatory and transformative, as they help create inclusive spaces, facilitate access to opportunities, and empower others by transferring essential skills and promoting collaboration.

Here, we introduce the ambassadors in their own words:

Hungarian Ambassadors

Szabolcs GULYÁS

“Hello, my name is Szabolcs Gulyás. I am 21 years old, and I am currently studying social work at a university in Miskolc. I graduated from Dr. Ámbédkar School in Miskolc, and I live in Hernádszentandrás. In the future, I hope to find a job in this field, ideally somewhere nearby, as I have already started looking for opportunities in the area. I really like to travel and discover new things. I also love acting and meeting new people.

I didn’t like my elementary school so much because they didn’t like Roma people there. They told me I would amount to nothing and wouldn’t even graduate. When I expressed my desire to study in Budapest, they were surprised and even called my mother in to ask if we were serious. We said yes because I really liked that school. Unfortunately, I could only go there for one year because we had to return home due to the COVID-19 pandemic. I don’t want to write too much because once I start, I won’t stop, so that’s all for now.

Personally, I believe I can contribute to a community in many ways. My ability to empathize and communicate openly helps me connect with others and build meaningful relationships. I enjoy finding creative solutions to problems and always approach challenges with a positive mindset. I also value collaboration and love working with others, as I think we can achieve so much more as a team. Lastly, I believe I have some untapped potential and skills that I might not even realize yet, but I’m always ready to adapt and learn to bring out the best in myself for the benefit of the community.”

János KURU

“My name is János Kuru, I am 21 years old, and I study Religious Social Work at the Budapest University of Jewish Studies. I am from Borsod County, specifically the Miskolc area. I completed my eight years of primary education at the Dr. Ámbédkar School through an evening program, where I earned my high school diploma.

As I continue to learn more about myself, I’ve discovered qualities I hadn’t noticed before. For example, I’ve realised that I am a great listener. I enjoy paying attention to others, and I’ve found that this often helps people open up or feel better. I also have a strong sense of empathy and can easily understand others’ situations, often finding the right words to give them strength during difficult times.

Mutual respect is very important to me. I believe that if I show respect to others, it always comes back to me. I also try to be reliable—someone people can count on—because when I make a promise, I keep it. My flexibility helps me adapt to different people and situations, which is often useful when working towards common solutions.

I’ve also come to appreciate my creativity as a real asset. I enjoy coming up with new ideas or finding unique solutions that bring value to the community. Additionally, I’ve noticed I’m good at connecting people—I can see who might be able to help each other or who might get along well. These are qualities I enjoy sharing with others around me.

I believe these skills allow me to contribute meaningfully, whether it is building relationships, providing support, or solving problems.”

Mirella RUSZÓ

“My name is Mirella Ruszó, and I am 19 years old. I am currently studying at the Dr. Ámbédkar School, training to become a social care nurse. I have already completed a trade and sales qualification, which is the field I currently work in.

What I can offer to a community:

Empathy: I understand other people’s feelings and strive to be supportive in difficult situations, helping to strengthen community bonds.
Positive attitude: I always try to remain optimistic, which helps to make community members feel better.
Sharing my skills: If I’m good at something, I’m always happy to share it with others.
Building connections: I help people form friendships and encourage deeper connections within the community.

With these contributions, I hope to help create a supportive and inspiring community where everyone feels valued.”

Miri Bemutatkozó

French Ambassadors

Kenzo ANTHONIPILAI

“Hello, my name is Kenzo, and I am 16 years old. I have been part of this family for two years, but dancing for six. I will be honest with you, I am in love with hip-hop culture. It has helped me through difficult moments in my life, and this journey will allow me to improve my leadership skills, increase my self-confidence and my love for this culture.

This journey will also help me enrich my dance vocabulary and develop my identity. I already have a lot of skills, but I have many things to learn, and Playmo always says: ‘We will never finish learning, nor stop learning to learn.’ So I need this journey to develop new skills, and it will also help me in my everyday life. Throughout this journey, I will be myself—curious, doing things wholeheartedly, serious, and a leader. I am also determined, and will be punctual, and committed to exceeding your expectations and learning.”

Shana BUNET-DELVIN

“I’m in my final year of high school, and I’ve been studying English since the first grade. This allows me to be more comfortable speaking in English.

I love dancing, I’ve been doing it since I was four years old, it’s my passion. I also really like to travel and get to know other cultures. I have already been to London to try to work on my English.

I would be really happy to be part of this project in Hungary to get to know the culture and dance, and to continue to deepen my English knowledge, for I hope to become bilingual in the future.”

Shaïnez COULIBALY

“My passion for hip-hop dance has grown through my involvement in my high school’s hip-hop section, where I had the opportunity to hone my skills by competing in various championships and participating in an Erasmus exchange.

These experiences allowed me to proudly represent a culture that is deeply meaningful to me. Even before high school, my interest in urban arts was sparked in middle school through the Art Attak project, which introduced me to street art and expanded my artistic horizons.

Competing at departmental, academic, and national levels has not only refined my technical and artistic abilities but has also taught me discipline, perseverance, and the value of cultural exchange. I would be honored to bring this experience to the Hungary Project, contributing my energy, teamwork, and commitment to sharing the core values of hip-hop.

Participating in this project would be a unique opportunity to represent hip-hop dance on an international stage, connect with like-minded individuals, and promote the values of inclusion, creativity, and determination that define this art form.”

Timothée DEBETHUNE

“I am currently a first-year student at Jean-Jacques Rousseau High School in Sarcelles, France. Passionate about hip-hop, I have been practising this discipline for several years. This year, I had the opportunity to give hip-hop lessons to people with disabilities, which allowed me to develop my pedagogical and communication skills.

Participating in this project in Hungary represents a great opportunity for me to share my skills and my passion for hip-hop with the Roma community and contribute to social inclusion through dance. This seems important to me in a country led by a right-wing man where the Roma face discrimination in various areas of life.

I am convinced that this experience will be enriching both personally and professionally, allowing me to develop new skills. I am motivated, serious, and ready to fully commit to this project.”

Diakité FATOUMATA

„I’m Diakité Fatoumata, a passionate dancer with three years of experience and a deep interest in cultural exchange. I’m curious, determined, and always eager to step out of my comfort zone to learn from new people and places. Taking part in the CuC project feels like a unique opportunity to grow personally and professionally, discover Hungarian culture, and share this journey with others who are just as enthusiastic as I am.”

Benjamin MANZANZA

“My name is Benjamin Manzanza, and I have been dancing since I was 15 years old. I have been a hip-hop instructor at Jean Jacques Rousseau High School since 2013, where I have had the privilege of sharing my passion for this extraordinary culture with young people.

In addition to my teaching experience, I have served as a dance coach for the last two national inter-high school championships, where I guided students in showcasing their talents and creativity. I am deeply passionate about hip-hop culture and am dedicated to inspiring the next generation of dancers.”

Sabrina ROTSEN

“As president of the Art Lab association, attached to the Jean Jacques Rousseau High School, I had the opportunity to invest myself in this passion which has driven me since my beginnings in competition, crowned by a title of French UNSS champion HIP HOP in 2014.

Over the past decade, I have mentored the young generation of high school dancers, an enriching experience which has highlighted my leadership, my pedagogy and my kindness. Dance has allowed me not only to grow personally, but also to develop key skills that I want to share with other communities.”

Alicia SEMEDO MORENO

“When our teachers presented this project to us, they asked us to write a motivation letter. Instead, I choose to write a presentation letter—a little bit risky, but what is life without taking any risks?

I am Alicia-Maria, but people call me Alicia. I am 17 years old now and will turn 18 this October. I left my country at a very young age, and since then, I’ve learned to love foreign cultures and appreciate the differences that we all have as an opportunity to learn more about others but also about ourselves. Growing up surrounded by different cultures made me someone who sees the values of every tiny difference that resides within us.

For me, this project symbolizes an opportunity for us as dancers to share and discover more about that passion that we have in common. I am really excited about the idea of sharing my dance history with you and learning more about you all. Hoping that we will see each other very soon.”
Cuc Ambassadors Letters Alicia

 

En Co Funded By The Eu Pos (1)

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

With the support of the National Cultural Fund.

 

Reclaiming Technology Sessions vol.2

Adapter Reclaimingtechnologysessions Vol2 Fbeventfb

Date of Session vol. 2: February 15, 2025 (Saturday)

Time: 15:00 – 19:00 Venue: Adaptér, Bercsényi utca 10, 1111 Budapest (https://adapterujbuda.hu/en/home/)

Programme:

15:00: GIRL AI: Playful Subversion with AI & Design Workshop by Dominika Čupková

17:30: Design, Time and Agency Public talk with Dominika Čupková and Emese Thamó, moderated by Silvia Binda

18:30: What is time to a computer ? Live Coding Lecture by Silvia Binda

Facebook event of the session: https://fb.me/e/4f1K2oVVy

The event is free, but we need registration from the participants. You can register here: https://adapterujbuda.hu/esemeny/reclaiming-technology-sessions-vol-2/

 

GIRL AI: Playful Subversion with AI & Design

Workshop by Dominika Čupková

Vulnerabilities are flaws in a computer system that weaken the overall security of the system. In this workshop, we will explore the types of vulnerabilities that women and other long-ostracized and silenced groups encounter in the digital environment. Can we collectively generate ideas for a livable future and transform our vulnerabilities into resilience? How can we fight against digital inequality and initiate social changes? What is bias in artificial intelligence? Can feminist and queer practices influence the future of technologies? During the workshop, we will playfully ideate in groups a product that, with the help of AI, reflects or addresses some of these issues from the perspective of the interdependence of activism and aesthetics.

The workshop is intended for curious individuals of various genders, backgrounds, and industries. No prior knowledge is required. Online registration is needed.

Max. number of participants: 20

 

Design, Time and Agency

Public Talk with Dominika Čupková and Emese Thamó, moderated by Silvia Binda Heiserova.

We invited the interdisciplinary designer Dominika Čupková and the mathematician and product designer Emese Thamó to reflect on topics related to the design of technologies, design of acceleration, how the power to design is distributed and feminist perspectives on design.

 

What is time to a computer ?

Live Coding Lecture by Silvia Binda Heiserova

This Live Coding audiovisual lecture reflects on the gap between the perception of time by humans and what time represents at the level of computational processes. Using the terminal emulator as an explorative tool for entering the problematics, the lecture scrutinizes different layers of computer-time definitions and concepts, tracing the digitalized time back to hardware tools, companies and their representatives.

 

  • About Silvia Binda Heiserova:

Silvia Binda Heiserova is a visual and multimedia artist, researcher, and creative coder. Her multidisciplinary artistic practice explores power relations in the digital era from a gender perspective. She applies an analytical and critical point of view to subvert stereotypical and biased gender representations, both visually and linguistically, in social and virtual spaces.

Silvia earned her Doctoral Degree in Fine Arts: Practice and Research from the Polytechnic University of Valencia, where she was part of the Art and Gender research group. She holds an MFA in Artistic Creation with a focus on Painting and Contemporary Artistic Practice, as well as an MFA in Visual and Multimedia Arts from the same institution. Silvia is the founder of offDAC, a multidisciplinary decentralized artistic community dedicated to researching the intersection of feminism, art, and technology.

More info: https://www.silviabinda.com

https://www.instagram.com/silvia_binda_heiserova/

 

  • About Dominika Čupková:

Dominika Čupková is an interdisciplinary designer connecting the dots between AI, art, design and tech with experience in PR, marketing and research. Currently a visiting doctoral researcher at the Interactive Technologies Institute and the Academy of Fine Arts at the University of Lisbon, Portugal. She is affiliated with the Academy of Fine Arts and Design in Bratislava, where she explores what happens at the intersection of AI and design through a feminist lens. She is also a part of the global community AIxDESIGN, where she leads communications, and she co-founded the Ladies, Wine & Design Slovakia initiative. Through various initiatives, she strives to bring forth alternative narratives with the aim of envisioning and creating a fairer and more inclusive AI.

More info: https://thedominica.notion.site/

https://www.instagram.com/thedominica/

https://www.linkedin.com/in/dominika-cupkova/

 

  • About Emese Thamó:

Emese Thamó merges technology, art, and design to create innovative, user-centered solutions. With a Mathematics degree from the University of Cambridge, she has conducted research on AI explainability and safety at the University of Liverpool and applied AI in medical contexts at the Hungarian Institute for Computer Science and Control, as well as Pacmed B.V. in the Netherlands. Her professional journey spans roles as a software developer in the space industry, a consultant in banking and construction, and a lecturer at the Hungarian Centre for Social Sciences. She is now

completing her product design studies at the Moholy-Nagy University of Art and Design (MOME) and has interned at MindRove, a company specializing in biosensors. Emese’s multifaceted background enables her to approach challenges with a unique blend of technical expertise and creative vision. Notable achievements include designing the “Hanna Szenes” mural on Frankel Leó Street and leading the award-winning PlantSail project.

Co-funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

En Fundedbytheeu Rgb Pos

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

The Green Academy Networking Café

The Green Academy helps participants share knowledge at the intersection of art and environmentalism. While our seminar series focuses on individual guest speakers, our Network Café sessions are a space for many-voiced conversations around given topics. We invite you to drop by and make new connections. You’re welcome to bring your drink of choice.

Be prepared to introduce yourself briefly. If you’d like to showcase your relevant experience in a mini-presentation (no longer than three minutes), please pitch it to us at dezsi.fruzsina(at)proprogressione.com.

The Green Academy Networking Café is organised in collaboration with the Sustainable Europe Research Institute Germany (SERI.de)

Pro Progressione’s Green Pillar emphasizes the integration of artistic practices with the more-than-human environment. We lead and collaborate on various projects, focusing on sustainability and connecting artists with critical environmental issues.

Although these events are directly linked to projects such as The Big Green, we aim to provide an open platform for the cultural and creative sectors, inviting our partners to join the Academy.

Following our 2024 pilot phase, we plan to organize five more lectures next year. These events are open to registered participants and offer not only learning experiences but also the opportunity to form a community of professionals dedicated to environmentally conscious art.

If you would like to attend, you can register here: https://forms.gle/QiFSnJwV1Cknfqrj7
(After registration, we’ll send you the Zoom link some days before the event)

You can read more about the Green Academy here: http://www.proprogressione.com/en/projects/green-academy

The Big Green project behind Green Academy is co-funded by the Creative Europe programme of the European Union.

En Fundedbytheeu Rgb Pos

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

Transparent Sound New Music Festival 2025 – POLYCHROME

The 2025 edition pairs remarkably distinct events, each with its own unique tone and character, coming together to create a true Polychrome experience across the festival.

Transparent Sound: a sound that is transparent and instantly recognizable. It invites you to approach, discover, and embark on new adventures. From January 11 to February 9, 2025, the 12th Transparent Sound New Music Festival will present over twenty events across multiple venues in Budapest, following the overarching theme of Polychrome.

The first Transparent Sound New Music Festival was launched in January 2014 by composers Balázs Horváth and Samu Gryllus in collaboration with the BMC (Budapest Music Center), the FUGA Budapest Center of Architecture, the Trafó House of Contemporary Arts, and the Liszt Academy of Music. Its primary aim was to showcase the innovative spirit of contemporary musical trends across a broad spectrum while offering audiences interactive presentations during or prior to concerts to enhance their understanding of new compositional concepts.

The concept of “transparency” in music extends to works that combine auditory and visual layers, such as new musical theater or multimedia pieces. The festival places a special emphasis on these forms.

The Transparent Sound New Music Festival seeks to build bridges between traditional and experimental musical forms, fostering dialogue with an open-minded audience. Events will take place at venues such as the BMC Concert Hall, the OPUS Jazz Club, the Library of the Music Information Center, the Solti Hall of the Liszt Academy, the House of Music Hungary, the Trafó, the FUGA, the Nádor Hall, the Kunsthalle, OMA (Open Music Archive), and, for the first time, the ISON. The programs aim to make avant-garde or seemingly inaccessible musical trends more approachable and comprehensible.

Songs from the Trapeze: The festival kicks off on January 11 at the Solti Hall of the Liszt Academy with a unique music-theater performance by Ensemble Trapèze (NL). In this production, composer Georgi Sztojanov explores an “unrealized ballet” based on Prokofiev’s works and correspondence.

The festival will also honor the memory of the late Péter Eötvös with two special events. The BMC will screen András Kalmár’s documentary The Last Opera, which delves into the creation of Valuska.

Outstanding international ensembles will grace the festival. The young KOLLEKTIV UNRUHE (LX/DE) will perform at the Nádor Hall, while NAMES (New Art and Music Ensemble Salzburg, AT) will appear at Trafó. The FUGA will host a concert by Slovakian EnsembleSpectrum. At the House of Music Hungary, Márton Illés curates and composes a program featuring from Germany The Monochrome Project, led by Marco Blaauw, and the Hungarian percussion Trio Dakoda.

Collaborative performances will include the Tunnel Concert, a groundbreaking musical adventure at the OPUS Jazz Club featuring Fluidian – Emil Gherasim (RO), Tibor Szemző, and László Gőz. Additionally, Judith Varga’s Submersus, a full-length composition for player piano, will premiere at the festival.

The program is enriched by numerous multidisciplinary collaborations, such as Andrea Szigetvári’s soundscapes created for János Kalmár’s Metaxu sculptures.

The festival also offers a wide range of interactive activities, creating new experiences for all age groups. Zsófia Remes will lead a composition workshop for children, while other highlights include the Transparent Sound Film Club curated by Marcell Dargay and the Texthibition, an international exhibition opening with a musical program. The OMA will also unveil its new gallery as part of the festival.

The festival remains dedicated to making contemporary music accessible and engaging. This year’s Polychrome edition takes the program to a new level, celebrating the convergence of diverse musical worlds and artistic forms. Join us to explore the boundlessness of contemporary music in Budapest!

For detailed event information, visit the festival’s continuously updated website and Facebook page.

webpage: https://atlatszohang.hu/

Facebook: https://www.facebook.com/atlatszohang

YouTube: https://www.youtube.com/channel/UCRi1ObZoYCiCuutl3aTloYA

Instagram:https://www.instagram.com/atlatszohang/

 

 

With the friendly support of Ernst von Siemens Music Foundation.

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With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2024

 

 

Other supporters:

Co-funded by the (OKT) Osztrák Kulturális Fórum.

Osztrak

 

 

 

 

Co-funded by the Goethe Institut.

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Co-funded by the Arts Counclil Luxemburg.

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Partners:150 Zak Alapitva Hu

Zeneakadémia

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Budapest Music Center

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eSzínház

 

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FUGA

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UMZE

 

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Magyar Zene Háza

 

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Opus Jazz Club

 

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