A long journey of the Green E.Th.I.Cs Project – Green Experience Through Theatre Inspiring Communities

“PERFORMANCE WATER”, the first premiere of Green E.Th.I.Cs project
“Performance WATER” directed by Karolina Spaic – Artistic Director of Explorez Festival and founder of ZID Theatre Amsterdam, highlights the universal power of water through mythology, facts, predictions, and conspiracy theories related to climate change.

It’s a multidisciplinary event, consisting of three parts: a performance, an installation, and an interactive section on climate change.

The first part is The Game (directed by Daan Bosch), where the audience is immersed in different aspects of climate change and can actively participate if desired. Through collective game experiences, the aim is to raise awareness about climate change and its impact on individuals, communities, societies, and the world as a whole.

This part takes place in a foyer or outside grounds close to the theatre/stage and is continuous.

The second part is the actual performance about WATER (directed by Karolina Spaic).

This performance is an organic response to the ongoing challenges of climate change and the daily stream of news about it. To truly grasp the complexity of these developments, the artists immerse the audience in the world of water—an element that plays a crucial role in environmental impacts both symbolically and literally.

It allows for deep and personal experiences with water. The performance is both physical and symbolic, taking attendees through different worlds. The text, in the form of storytelling and spoken word, highlights various perspectives through personal experiences with water. An international team of performers brings their personal experiences and relationships with water, deeply rooted in their cultural backgrounds and personal experiences.

It is important to Zid Theater that the audience leaves the performance with a sense of dedication and reflection. They said, “We don’t have all the answers, but together we can look for ways and step-by-step solutions.”

Τhe third part is the finale, where everyone is invited to “The Last Drink.”, and takes place in the foyer.
Here, the audience must answer this question, “What will you do tomorrow to slow down climate change?” (Directed by Igor Alvarez Corgut).

ASTA Performance: A Great Challenge
The ASTA Teatro team worked hard for the last two years to prepare the final performance, which they presented in front of an enthusiastic and engaged audience.
ASTA Teatro, founded in 2000, is headquartered in Covilhã, Portugal, a city with a strong environmental heritage. The group is inspired by a transdisciplinary culture with theater at its core. Throughout the rehearsals, each artist was able to express their creative thoughts and perspectives, which were then incorporated into the final show under the guidance of director António Abernú. The team paid close attention to scientific research, translating complex ideas into a language that the audience could easily understand.

António Abernú took a course on climate change at the University of Cádiz titled “Emission Impossible,” and worked to frame all the collected information according to the social reality and literacy of their city and nation. The show featured theatrical moments, video segments, and even an original song about recycling waste, created and performed live by João Gomes, one of the actors.

In the end, the team was very satisfied. When they asked some audience members for their feedback, most responded: “These topics can be boring and even moralistic, but after this show, it’s easier to learn through games and fun.”

This feedback reflects the primary goal of the project.

Pro Progressione Performance Emerges from Collective Creativity
Pro Progressione, an artistic partner of the Green E.Th.I.Cs Project, premiered their performance in July. Based in Budapest, Pro Progressione is an artistic hub that connects people, professions, and ambitions by fostering international collaborations in the field of culture. This fusion of diverse talents allows creative ideas to flourish, with artists, cultural activists, scientists, and experts from various fields coming together to address contemporary issues with innovative solutions.

Over two years, the artistic team worked diligently on the final performance. During rehearsals, the artists enjoyed absolute creative freedom, sharing their ideas openly with the team. This period of hard work and professional commitment was also a time of joyful collaboration.

Ultimately, the team decided to consolidate their ideas into a cooperative work, addressing various topics related to individual actions in combating climate change. This experience underscored the significant impact that even small actions can have in the fight against climate change.

The format of the Green E.Th.I.Cs artistic partners’ performance is consistent for all participants, resembling the game of Goose. Audience participation is crucial, and during Pro Progressione’s premiere, the audience was highly engaged and enthusiastic. Participants of all ages eagerly took part, fully immersing themselves in the experience.

FECE brings Green E.Th.I.Cs to life through an engaging theatre experience
The artistic team of FECE, composed of three talented actors—Veselin Petrov, Ivan Stanchev, and Mihail Sarvanski—has crafted a unique and engaging theatre experience inspired by the Green E.Th.I.Cs Game (GEG). With their extensive backgrounds in improvisational theatre, the team has transformed environmental education into a captivating performance titled “лЕКОЗАКЪСНЕЛИ?” (Slightly Delayed?).

This innovative theatre game follows the structure of GEG, using dice rolls to determine the scenes, each of which explores topics provided by the project’s scientific partner, the Technical University of Crete. The performance is built around five distinct storylines, presented through different game categories: Icon, Did You Know That, Quiz, Through Story, and Everyday Life. Each storyline delves into key environmental themes such as climate change, biodiversity, and overconsumption, brought to life through dynamic improvisational techniques.

An Interactive and Inclusive Experience
The audience plays a crucial role in the theatre game, which divides them into two teams. They roll dice to decide the next category, gradually uncovering the storylines while engaging in quizzes, challenges, and even generating energy to light up parts of the stage decor. The actors perform assigned roles for each of the five scenes, creating an immersive experience that highlights the complexity of environmental issues.

Actor Ivan Stanchev reflected on the show’s purpose in an interview with the Toplocentrala blog: “Nature itself sends messages every day about the emerging changes. We and the audience will explore how far our capabilities reach and to what extent we can take responsibility for what is happening.”

By encouraging active audience participation, Slightly Delayed? ensures that every performance is unique, shaped by the audience’s engagement and the location of the event.

Green Time, Creative Energy
The premiere at the Népkör Hungarian Cultural Center
In August, the Népkör Hungarian Cultural Center in Subotica came alive with energy and creativity as part of the Green E.Th.I.Cs Project.
The highlight was the debut of the “Green Time – Game Time” Live Game, premiered during the “Interetno Festival”. This interactive board game, set in a traditional farmyard, used everyday scenarios to emphasize the impact of small, mindful actions in protecting the environment.
One particularly poignant scene involved a grandfather loading groceries into plastic bags at the checkout counter. A young cashier pointed out the environmental harm caused by plastic bags, expressing frustration with older generations’ habits. In response, the grandfather explained how his generation had long practiced sustainability—reusing glass bottles, walking or cycling instead of driving, and favoring manual tools over energy-intensive machines. These anecdotes reminded the audience that sustainability isn’t just a modern trend—it has been a way of life in the past, woven into daily routines.
The Green Time – Game Time performance, alongside the game itself, encouraged audiences to think of environmental consciousness not as a fleeting topic of discussion but as a lifestyle choice that everyone can embrace to protect the planet for future generations.

The live game wasn’t the only exciting activity this season. Families and local residents joined us for five days of hands-on craft workshops tied to the “Interetno Festival”, creating functional items from recycled materials. These workshops served as a joyful celebration of creativity while also driving home the importance of an active and sustainable lifestyle.
In addition to these family-friendly events, the center hosted a movement workshop led by the Omma Studio. Designed for young artists and students from the “Novi Sad Academy of Arts”, this session used physical expression to explore environmental themes. Through movement, participants found a deeper connection to nature and themselves, showcasing the transformative power of art in addressing critical issues like climate change.
Earlier in the year, the Népkör Cultural Center launched the “Looking with Green Eyes” Ex Libris Competition. This international contest invited artists—both amateur and professional—to submit environmentally themed artwork using traditional etching techniques or modern digital methods. The stunning entries culminated in an October exhibition, celebrating creativity and highlighting the vital link between art and environmental awareness.
As we continue to foster dialogue and inspire action, we aim to remind everyone that a sustainable future starts with small steps, creativity, and a collective commitment to preserving our planet.

Do you want to know more about the project?
FOLLOW US ON SOCIAL NETWORKS
https://www.instagram.com/greenethics.eu/
https://www.facebook.com/greenethics.eu

You can read the whole newsletter by clicking on the link below: ENG_#3 Green E.Th.I.Cs newsletter
SUBSCRIBE TO THE NEWSLETTER HERE

Green E.Th.I.Cs is co-funded by the Creative Europe programme of the European Union.

En Fundedbytheeu Rgb Pos

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

KidBeats: Tune In to the Future of Playful & Eco-Friendly Music!

Over the past two years, we have been working with our partners to develop a methodology to bring children aged 3-6 closer to music in a sustainable, innovative and engaging way. In addition, we have developed not only a methodology, but also a music listening tool for children based on research, testing and development of digital tools, taking into account the use of environmentally conscious and sustainable materials and 21st century solutions. What has happened in the last two years? What has been the experience of the partnership? What success stories can be told? What difficulties have the creators of the methodology and the tool faced? How will the methodology and the tool be applied in music education?

In this online professional event, we will discuss these questions with our guests – and answer questions from participants at the end of the discussion.
We are especially looking for music education professionals who would like to use our methodology or even try the tool.

Panelists:

Dr Ildikó Király – ELTE Baby Lab
Silvia Di Benedetto – National and European Projects manager, Explora il Museo dei Bambini di Roma
Bart Grimonprez – Expert Prototyping & Additive Manufacturing, Howest University Belgium
Moderátor: Barna Petrányi, Pro Progressione

The language of the event is ENGLISH.

If you would like to attend, you can register here:
https://forms.gle/Totwcpr817mVpvCeA
(You’ll get a Zoom link some days before the event)

Project partners:
Gryllus Kft (HU)
Museo dei Bambini (IT)
HOWEST (BE)
ELTE BabyLab (HU)

KidBeats project is co-funded by the Creative Europe programme of the European Union.
More information about the project: https://kidbeatsproject.com/

En Fundedbytheeu Rgb Pos

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

Meet the CREATResili Team: Inspiring Voices of Change

1. Alba Cikaqi – Empowering Women through Financial Independence
Alba Cikaqi from the Jahjaga Foundation discusses how financial independence is key to women’s empowerment and the protection of women’s rights in Kosovo. Her inspiring insights shed light on the barriers women face and the efforts to create lasting opportunities.
📹 Watch the video: Alba Cikaqi on Women’s Financial Independence

2. Klaudia Keringer – Promoting Creativity and Resilience
Klaudia Keringer, project manager at the Hungary Helps Agency, shares her enthusiasm for the CREATResili project. She highlights how creativity fosters social sensitivity, self-sustainability, and resilience, restoring dignity for women in marginalized communities.

📹 Watch the video: Klaudia Keringer on Creativity and Resilience

3. Lumnije Vitia-Morina – A Journey of Resilience and Growth
Lumnije Vitia-Morina opens up about her journey with the CREATResili project, sharing her challenges, motivations, and the growth she’s experienced. Her story embodies the spirit of resilience and passion that drives this initiative.
📹 Watch the video: Lumnije Vitia-Morina on Resilience

4. Shkurta Halilaj – Teamwork and Dedication in Action
Shkurta Halilaj shares how collaboration and support within the CREATResili community have fostered growth and success. She reflects on the importance of teamwork and the mutual motivation that drives their efforts.
📹 Watch the video: Shkurta Halilaj on Teamwork and Motivation

5. Belkiza Cuculj – Building Connections through Shared Moments
Belkiza Cuculj reflects on her journey with CREATResili, expressing gratitude for the friendships and support she’s received. Her story highlights the joy of creating connections and the power of community in building resilience.
📹 Watch the video: Belkiza Cuculj on Gratitude and Connection

We hope these stories inspire you as much as they inspire us. Join us in celebrating the power of resilience, community, and creativity.

Stay tuned for more from the CREATResili team!

🛈 Source: https://www.youtube.com/@HungaryHelps/videos

CreatResili project is co-funded by the Creative Europe programme of the European Union.

En Fundedbytheeu Rgb Pos

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

“POLISH BLOOD [NEVER FAILED ME YET]” – hommage à Bogusław Schaeffer

The “RE-PATCHED” concert focuses on Schaeffer’s open scores, presenting legendary works like the NonStop graphic score, which allows for free interpretation and improvisation, becoming a constantly evolving piece where the boundaries of musical and visual art blur. Schaeffer was an interdisciplinary artist who worked not only in music and theater but also in the visual arts. The concert will feature graphic pieces that were not originally created as musical works. In addition to Bogusław Schaeffer’s compositions, works composed by members of the RE-Patched ensemble will also be performed, paying tribute to the Polish composer.

The concert program is the result of a year of research in which we studied Schaeffer’s compositional methods and electronic music work with experts such as Marek Chołoniewski, a Polish composer and electroacoustic artist, and Paul Pignon, a composer and clarinetist working in Sweden and Serbia, who created the unique patch The Creature at the Radio Belgrade electronic studio. The Creature provided a
rich spectrum of sound possibilities for Pignon’s improvisations with the EMS Synthi 100, aiming to push the boundaries of electronic music. It’s possible that at one point during the concert, The Creature will make an appearance!

Re Patched Fullhd

Program

Daniel Matej POLISH BLOOD [NEVER FAILED ME YET], 2024. 15´
Ljubomir Nikolić MODEL I – IV, 2024. 8´
Bogusław Schaeffer non-stop, 1964. 12´
Elia Moretti TIS IS DIESIS, 2024. 8´
Bogusław Schaeffer Grafika 76, 1981. 3′
Bogusław Schaeffer Grafika 16, 2005. 3′
Orsolya Kaincz Observations in the Inner Field of Two Tones, 2024. 14´

RE-PATCHED ensemble
Petr Vrba (CZ) pocket trumpet, electronics, voice
Elia Moretti (CZ/IT) vibraphone, small percussion, objects, voice
Alexandra Wtorek (PL) percussion, objects, voice
Anežka Matoušková (CZ) voice, electric guitar
Marija Rašić (SRB) electric guitar, electronics, voice
Marcell Csuka (HU) accordion, voice
Pavol Béreš (SK) synthesiser, voice
Orsolyia Kaincz (HU) electronics, voice
Daniel Matej (SK) conducting, electronics, turntable, amplified objects, voice

Lingotell International Meetup: Restorying Across Borders

🕔Date and Time: Monday, 21 October 2024, 6 pm to 9pm.
📍Location: Romano Kher Budapesti Roma Művelődési Ház – 1077 Király utca 67., Budapest
🎟 Entry: Free of charge!

Program Highlights:

18:00 – Panel Discussion on Restorying – in English
Join us for an insightful discussion on the concept of restorying and its impact on cultural heritage preservation.
Topics will include:
📍How does restorying differ from simply translating or retelling stories?
📍What new layers of meaning does it add?
📍How do different cultural perspectives influence the storytelling process?
📍How do we engage and empower young people in the preservation of their heritage?

19:30 – Creative Performances by Workshop Participants featuring Independent Theatre Hungary
/These will be accompanied by English subtitles./
Enjoy a series of live performances featuring re-imagined stories in Romani, Boyash (HU), South Sámi (NO) and Frisian (NL), created by young participants.
A small reception will follow.
(* Subject to change.)

❗Admission is free but registration is required via the following link.

❗The event is recorded and photographed. The data will be used for information purposes, dissemination of results and promotion of the project.

The Lingotell project is a joint initiative of Sijti Jarnge in Norway, the Fryske Akademy in the Netherlands, and Pro Progressione in Hungary, aimed at preserving and strengthening Europe’s Indigenous and minority languages through the method of restorying.

Lingotell project is co-funded by the Creative Europe programme of the European Union.
With the support of the National Cultural Fund.

Social Design Summer University

Throughout the week, participants engaged in a variety of inspiring and challenging activities that tested their creativity and offered new perspectives. In addition to lectures on social design and social enterprises, they collaborated in interactive workshops, refining their ideas together. These creative tasks provided everyone with the chance to showcase their abilities, and the exchange of diverse viewpoints created an inspiring atmosphere.

The highlight of the program was the closing day on August 30, when participants presented the projects they developed during the week. The jury faced a tough decision, as every idea was impressive. However, after much deliberation, the concepts by Borbála Moravcsik, Barbara Szabó, and Annamaria Kmetyo stood out as the strongest. As a result, they won the opportunity to apply their knowledge in Kosovo, directly supporting abused women.

Following the announcement of the winners and the closing ceremony, participants and partners shared their experiences and future plans in a relaxed discussion. Once again, heartfelt congratulations to all participants! The experiences and connections made during this week are sure to have a lasting impact, and we eagerly await the unfolding of these ideas during the residency program.

The CREATResili project, supported by the Creative Europe Program and led by the Hungary Helps Agency, aims to strengthen the resilience of vulnerable groups, particularly abused women, through the power of creativity. CREATResili demonstrates that social design is more than a creative process – it is a powerful tool for driving social change.

Source: https://hungaryhelps.gov.hu/

CREATResili project is co-funded by the Creative Europe programme of the European Union.

En Fundedbytheeu Rgb Pos

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

ImGame Selected artists

Judit Navratil earned an MFA at the Hungarian University of Fine Arts and at the California College of the Arts, San Francisco. She has exhibited in Hungary, Canada, France, Korea and the Bay Area. Her work has been recognized through awards including the Cadogan Art Award, a residency at Cité Internationale des Arts (Paris) and the Parent Award of Kala Art Institute. The artist states that Szívküldi Lakótelep includes the seeds of her temporary move to a small Canadian island where she stayed on the friend’s magic boathouse. Her work falls falls under the category of ecosystem as it is a cyberspace where people are invited to move in – these are consciousness-shaping gatherings “to face our anxieties, re-think our physical and psychological conditions” – it is actually the same pureness of mind, a kind of eco approach in a larger meaning.
Navratil Judit
Kati Katona works focuses on generative and 3D animation, interactive installation art, and projection mapping. Most of Kati’s artworks are heavily inspired by the elements of nature, biomorphic structures, patterns and algorithms. As a visual artist, she has performed at audiovisual festivals such as the Live Cinema Festival and Patchlab Festival. Her artworks have been introduced at festivals like Vivid Sydney, Zsolnay Light Festival, White Night Melbourne, Ghent Light Festival, and the Free Fire Guinness World Record in Las Vegas. Her work falls into the category of meditation as it offers a re-interpretation of the rule-based system what nature is characterized by – and that makes the viewer to reflect on the question of predestination.
Kati Katona
Máté Előd Jánky works are closely connected to experiences of virtuality – mainly working with digital media and footage found on the internet, he conveys ambiguous emotion into crowded but fragile worlds, both on audio and visual territories. His pieces can be perceived as pages ripped out from an encrypted diary – in terms of visuality, he is interested in developing personal symbolism & mythology while exploring various psychological concepts. The To dream of love (hound) represents the meditative states that virtual communities can offer to the user. The meditative – even self-destructive messages – offer to viewer a moment of meditation and self-reflection about how the constant online aesthetics mediate our sense of reality.
Janky Blessure

ImGame project is co-funded by the Creative Europe programme of the European Union.

En Co Funded By The Eu Pos (1)

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

CLICA – exhibition and closing event

The project started in 2022, and over the following two years young people have been working and learning through artivism in a series of workshops in Hungary and in the other six partner countries (Greece, Cyprus, Italy, Finland, Ireland and Spain) alike. Each workshop ended with creation of an artwork, during the final event of the project we will be exhibitioning these artworks.

The one-day exhibition will be open free of charge from 5 pm to 8 pm on 26 September, 2024.

Find out more about our event: https://fb.me/e/7D2sp2sPc

If you are interested in the project, you can also join our international online community at https://youngclimatecampaigners.com/register/

The CLICA project is co-funded by the the Erasmus+ Programme of the European Union.

Exploring Borsod: TeatRom Festival 2024

During our tour, we had the pleasure of meeting three wonderful local promoters: Anna, Eva, Hajni, and Hajni’s professional supporter Juli. We also visited Homrogd and Szendrőlád, where Krisztián and Norbert have joined the local SPARSE Plus team. We explored the future venues for the performances, getting a feel for the spaces and the communities. For some of us, it was a first introduction to these beautiful localities, but for Balázs Simon as a leader of the Utcaszínházi Alkotóközösség, who has been working in the area for a long time, it was a chance to share his deep connections with the local community. Meanwhile, Márton Beke focused on discovering new possibilities for community organization around the performances.
Teatrom Csapat 1
The highlight of this tour was a collaborative meeting in Miskolc at the Dr. Ámbédkár School, where local promoters from five different settlements came together. This gathering was more than just an exchange of ideas—it was a milestone in fostering connections among local promoters. Although some of them had previously crossed paths, this was the first time they met as a festival crew. The day was not just about introductions; it was also a significant step in the preparation for the upcoming festival week from October 5-11, 2024, which programme’s will remain a secret for a while.

Building on the fifteen-year legacy of Utcaszínházi Alkotóközösség, the festival has been aptly named “TeatRom” in 2015. The Teatrom Festival 2024‘s programmes will be the result of the active work of the Sparse Plus project’s promoters. This new chapter reflects the rich cultural tapestry of the region and the collaborative spirit that continues to drive these communities forward.

SPARSE Plus project is co-funded by the Creative Europe programme of the European Union.

En Fundedbytheeu Rgb Pos

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

CREAMARE – Underwater Cultural Heritage – International workshop & round-table discussion

As a link between our Creamare project and the 5th National Meeting of Archaeological Communities, we will be holding a professional day on 1 July.

About CREAMARE project:
The CREAMARE project aims to create a trans-national and cross-sectorial collaboration framework in which cultural organizations, scientific/research bodies, creative professionals, and technology experts co-produce CC applications and media contents to communicate, disseminate and promote Underwater Cultural Heritage (UCH). Simultaneously, the project is raising awareness about relevant social problems like pollution and other environmental threats that affect the oceans.

449778458 910116464487723 368391810390303722 N

10:00 – 11:20 Introduction of the participants
• Attila Tóth J. (Hungary)
• Dániel Poulet, Pro Progressione – Intorduction of the CREAMAARE project (Hungary)
• Cyril Dworsky (Austria)
• Andrej Gaspari (Slovenia) – online
• Barbora Machua (Czech Republic)
• Annie Dumont and Marion Foucher (France)
• Mladen Pesic (Croatia) and Mirka Danov (Slovakia) – online
11:30 – 13:00 Gamification workshop
Hosted by Árpád Bayer (Hungary)
14:30 – 17:00 Ideas and Project development
Moderated by Barna Petrányi and Dániel Poulet

Project partners:

3D Research (IT)
Atlantis Consulting (GR)
Pragma.Iot (GR)
Novena d.o.o. (HR)
Universidad de Cadiz (E)
Ministerio Della Cultura (IT)

More details on the project’s website: https://creamare.eu/

With the support of the National Cultural Fund (Nemzeti Kulturális Alap)

Nka 2023 Angol

Creamare project is co-funded by the Creative Europe programme of the EU.

En Fundedbytheeu Rgb Pos