PP Team

The XX century was about power, money, while the XXI century will be about creativity, networks and cooperation and this is what drives my understanding of arts and culture.

Scandinavian films, Spanish wines, German Shorthaired Pointer...

Socially sensitive idealist and coffee addicted environmentalist.

The biggest advantage of our cultural heritage is not about what we possess, but how it helps to identify who we are.

I’m enthused over everything that offers participation, like theatre-in-education, interactive exhibitions, contact dance jams, or community circuses. As the Head and Heart of PP Arts, I would like to raise the awareness of many artists and create something that anyone can be part of.

I observe, I contemplate, I reflect, I form criticisms, which I then investigate over and over again, and the great thing is that I never get tired of it.

I believe that if we stand up and work for causes that are important to us, we can make a difference.

My main goal is to help and cooperate with creative cultural collaborations, mostly music projects and artists, in realizing their individual vision.

When I'm not daydreaming about the social-shaping power of art, I find refuge in the books of Thomas Bernhard, Jonathan Franzen, and Péter Esterházy - which, in the end, are the same thing.

In my spare time, I pursue a wide range of artistic activities, and diversity is what brings me joy in my professional life (too): when something meaningful is achieved through the meeting of diverse actors and disciplines, and through creative teamwork. When I'm feeling wild, I experiment with bangs.

In addition to my varied art and cultural mediation tasks, I’m an occupational observer of life.

As a sound artist and project manager of the Pro Progressione Sound Pillar, my main motivation is to encourage awareness of our sound environment by exploring the cultural, ecological, and political layers of the sounds around us, which helps to reflect on and foster change in the complex social and environmental challenges we face.

I love getting lost in creative processes, soaking in the springs of Bükk, hiding in psychological books, and spinning in a long skirt to folk music.

Outside of work, I have a lifelong dedication to arts, particularly through dance and singing. I used to do Hungarian folk dance, recently I'm passionate about swing dance and I sing in a pop music choir. These pursuits have not only been a source of personal inspiration but have also shaped my approach to cultural projects by emphasizing collaboration and creativity. I am also deeply passionate about travel, as it has allowed me to engage with diverse cultures, artistic expressions, and perspectives, further enriching my understanding of the arts and their societal impact.

"That's what they wrote about me 20 years ago:

She's the one who's always changing, the lover of the rock.
The young girl sometimes comfortable and aimless.
Sometimes like a gentle summer,
Other times, like the excitement of autumn."

Meanwhile, I've grown up! Youth, foolishness!

I believe that art builds bridges between people and stories, sparking conversations that are sometimes hard to put into words. I love immersing myself in it, whether as a spectator or a creator, because it always offers something new and unexpected.

As a project manager in the Social Pillar I am happy to bring together my work in both the arts and community-focused fields.
I am interested in Cold War radio jamming, CEE mining regions and music programming.